The Performance License
Before someone may play or perform an artist’s music in public, generally that music must be licensed. A radio station, TV station, a concert hall etc. each need a performance license in order to publicly perform music. The performance of music can imply two sets of associated copyrights: 1) the copyright in the underlying composition or song, and 2) the copyright in the sound recording. A song writer’s performance right for the composition has been around for a long time and the Performance Rights Organizations (PROs) ASCAP, BMI and SESAC have been successfully licensing these rights. A performer or record label’s public performance right for the sound recording is relatively new. Certain amendments to the law in 1995 created a limited performance right for the digital transmission of sound recordings and set up a very complex licensing structure that treats different entities transmitting music differently. The result is a system that has proven difficult to navigate for all parties involved.
Additional Resources
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http://www.ascap.com/
ASCAP, at
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http://www.bmi.com/
BMI, at
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http://www.sesac.com/index.aspx?flash=1
SESAC, at
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http://www.hfa.com/
Harry Fox Agency, at
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http://www.soundexchange.com/
SoundExchange, at
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http://www.royaltylogic.com/
Royalty Logic, at
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http://www.riaa.com/
RIAA, at
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http://www.digmedia.org/
DiMA, at
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http://www.loc.gov/crb
Copyright Royalty Board, at
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http://www.savenetradio.org
SaveNetRadio Coalition, at
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http://www.musicfirstcoalition.org
MusicFirst (an artist organization that supports performance rights for artists from all media including over-the-air radio), at
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http://www.copyright.gov/docs/regstat031104.html
For an in depth explanation of the mechanical license see Statement of Marybeth Peters, Register of Copyrights to House Subcommittee on March 11, 2004, available at
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